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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>1. The Temptation of Empire</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Equatorial Guinea during the 19th and 20th century</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Archives are not merely sources for extracting knowledge but generators of colonial knowledge. Anthropologist Ann Laura Stoler argues that archives are “cultural artifacts of fact production, of taxonomies in the making, and of absurd notions of what made up colonial authority. Reading along the archival grain opens up enriching readings of them as sites of contested knowledges.”&#13;
&#13;
The first section, "The Temptation of Empire,” shows how written records, pavilions, and audiovisual products about Equatorial Guineans during the 19th and 20th centuries served as propaganda to legitimize the imperial project after the loss of Spain's colonies of the Philippines, Cuba, and Puerto Rico. &#13;
&#13;
Inspired by the contributions of the issue of Bulletin of Spanish Visual Studies “El archivo colonial bajo el foco: representaciones audiovisuales de Guinea Ecuatorial” [The colonial archive in the spotlight: audiovisual representations of Equatorial Guinea], this part of the exhibition addresses how visual production along the 19th and 20th century not only deal with obvious propaganda messages, but also reveal contradictions and ambiguities within the colonial rule. Most of these resources are relatively still unknown within Hispanic studies and in cultural visual studies on European imperialism. &#13;
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            <name>Creator</name>
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                <text>Alexis Hernando Cubas</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="537">
                <text>August, 2024</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="538">
                <text>Creative Commons</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>González, Danae G., and Diana Arbaiza. "El Archivo Colonial Bajo El Foco: Representaciones Audiovisuales De Guinea Ecuatorial." Bulletin of Spanish Visual Studies, vol. 6, no. 2, 2022, pp. 159-174.&#13;
&#13;
Colmenero, Sara Santamaría. “El Paraíso Perdido: Nostalgias Coloniales En El Archivo Audiovisual de Guinea Ecuatorial (2000–2020).” Bulletin of Spanish visual studies. 6.2 (2022): 303–324. Web.&#13;
&#13;
Moriente, David, and Guillermo Navarro. "La Invención De Guinea Ecuatorial En La España De Franco: Una Visión De La Colonia a Través De Los Sellos De Correos." Bulletin of Spanish Visual Studies, vol. 6, no. 2, 2022, pp. 217-237.&#13;
&#13;
Stehrenberger, Cécile S. "Science Images and Colonialism in Equatorial Guinea." Bulletin of Spanish Visual Studies, vol. 6, no. 2, 2022, pp. 239-258.&#13;
&#13;
López Sanz, Hasan G. "'Guinea. Negocio y Misión': La Fotografía En La Representación Del Poder y La Construcción De Sujetos Coloniales En Las Ferias Muestrario De Valencia De 1942 y 1946." Bulletin of Spanish Visual Studies, vol. 6, no. 2, 2022, pp. 197-215.</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English and Spanish</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Spain, Equatorial Guinea</text>
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    <name>Moving Image</name>
    <description>A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.</description>
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        <name>Original Format</name>
        <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <elementText elementTextId="62">
            <text>Film </text>
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        <name>Duration</name>
        <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <text>46:38</text>
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        <name>Producer</name>
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            <text>Hermic Films</text>
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        <name>Director</name>
        <description>Name (or names) of the person who produced the video</description>
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          <elementText elementTextId="584">
            <text>Diego Saavedra y Magdalena</text>
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      <name>Dublin Core</name>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Documentary Film "Expedición a la Guinea Española"</text>
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        <element elementId="49">
          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Visual Materials on the Colonial Expeditions to the Spanish Guinea </text>
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          <name>Description</name>
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              <text>"Expedición a la Guinea Española" (1930) directed by Diego Saavedra Magdalena (appointed as General Director of Morocco and the Colonies), is a documentary situated in the exploration and documentation of Spanish Guinea, now Equatorial Guinea, during its colonial period under Spanish rule. The film is a vivid portrayal of the region's landscapes, cultures, and daily life, crafted to educate Spanish audiences about the colony. Saavedra Magdalena, noted for his ethnographic and documentary work, aimed to provide an in-depth look at the richness and diversity of the region. The documentary's content includes footage of the natural environment, local customs, traditions, and interactions between the colonial administration and indigenous populations. While the documentary serves educational and propagandistic purposes, showcasing Spanish colonial endeavors, it must be critiqued within the context of Spain's imperial projects in the early twentieth century.&#13;
&#13;
The documentary's imagery and narrative are imbued with the ideological underpinnings of colonialism, reflecting the prevailing attitudes of the time. The portrayal of indigenous people and their cultures often aligns with the paternalistic and ethnocentric views typical of imperial powers, framing the colonized as 'exotic' and 'primitive' while positioning the Spanish as civilizing forces. This perspective reinforces the colonial ideology of racial and cultural superiority, justifying the imperial mission. The film's emphasis on the natural resources and strategic value of the colony further underscores the economic motivations driving imperial expansion. Additionally, the documentary likely employs a cinematic style that romanticizes the colonial experience, utilizing staged scenes and selective framing to present an idealized view of Spanish colonialism.&#13;
&#13;
"Expedición a la Guinea Española" is not merely a historical artifact but also a reflection of the broader imperialist agenda of early twentieth-century Spain. It offers invaluable insight into the period's colonial mentality but simultaneously demands critical examination of its ideological biases. The documentary is a testament to the complex interplay between cultural representation and imperial ambition, revealing how media was used to construct and perpetuate colonial narratives.&#13;
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          <name>Creator</name>
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              <text>Diego Saavedra y Magdalena</text>
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          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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              <text>&lt;a href="https://www.rtve.es/play/videos/archivo-historico/expedicion-guinea-espanola/2917617/"&gt;https://www.rtve.es/play/videos/archivo-historico/expedicion-guinea-espanola/2917617/&lt;/a&gt;</text>
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          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
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            <elementText elementTextId="58">
              <text>RTVE</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <elementText elementTextId="59">
              <text>1930</text>
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        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
          <elementTextContainer>
            <elementText elementTextId="60">
              <text>Información de rtve.es</text>
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            <elementText elementTextId="579">
              <text>Corporación de Radio y Televisión Española 2024</text>
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          <name>Type</name>
          <description>The nature or genre of the resource</description>
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              <text>Documentary</text>
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          <name>Format</name>
          <description>The file format, physical medium, or dimensions of the resource</description>
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            <elementText elementTextId="580">
              <text>Film </text>
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          <name>Language</name>
          <description>A language of the resource</description>
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              <text>Spanish</text>
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          <name>Coverage</name>
          <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <text>Equatorial Guinea</text>
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      <name>Colonial Documentary</name>
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      <name>Expedición a la Guinea Española</name>
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