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                <text>3. Alternative Conservation and Heritage Practices in Equatorial Guinea. The Case of the Museum Felipe Osá Angüé</text>
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            <name>Subject</name>
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                <text>Museum Felipe Osá Angüé</text>
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                <text>This section of the exhibit offers a counterpoint to the imperial and colonizing practices in the museum by approaching the case of the Museum Felipe Osa Angüé. This museum illustrates alternative possibilities of narrating the histories of Equatorial Guinean people while taking distance of institutional practices of exhibiting and civilization discourses, all inherited by the current political regime.   </text>
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                <text>Alexis Hernando Cubas</text>
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            <name>Publisher</name>
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                <text>Price Lab for the Digital Humanities, University of Pennsylvania</text>
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            <name>Date</name>
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                <text>August, 2024</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Creative Commons</text>
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            <name>Language</name>
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                <text>Spanish, English</text>
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                <text>Equatorial Guinea</text>
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        <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <text>https://www.youtube.com/watch?v=wKVEkHereBE</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Interview to Felipe Osa Angüé</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Museum Felipe Osa Angüé</text>
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              <text>Felipe Osá Angue was a significant cultural figure in Equatorial Guinea, known primarily for his extensive work in preserving the Fang cultural heritage. He meticulously curated a vast collection of ethnological artifacts and exhibited them in the Museum Felipe Osá Angue. The museum bearing his name serves not only as a repository of traditional artifacts but also as a testament to his dedication to maintaining and promoting the cultural legacy of his people.&#13;
&#13;
The story of Felipe Osá Angue's dedication to cultural preservation begins two generations ago with his grandfather. During Spanish control, his grandfather endeavored to pass down as much knowledge as possible about the objects that were part of daily life in the Fang community. He taught his children the names and meanings of each object, ensuring that this knowledge was preserved. This practice of documenting the biography of objects served to give meaning to their social life. When Felipe Osá Angue could not find an heir to continue this tradition, he decided to create a museum in Bidjabidjan to house the collection he had spent years assembling.&#13;
&#13;
An interview by Ministerio de Cultura y Promoción Artesanal can be found through the following link: https://www.youtube.com/watch?v=wKVEkHereBE</text>
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              <text>Ministerio de Cultura y Promoción Artesanal</text>
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              <text>MUSEO FELIPE OSA ANGÜÉ. Ministerio de Cultura y Promoción Artesanal, GRUPO16NOVENOS. Consulted July 30th, 2024. Url: https://www.youtube.com/watch?v=wKVEkHereBE</text>
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              <text>Valenciano Mañé, Alba and Llorenç Picornell Gelabert. "Un museo sin vitrinas en la selva ecuatorial. La exposición de una experiencia". Hermes, n.º 1, 2009, pp. 67-76.</text>
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              <text>Ministerio de Cultura y Promoción Artesanal</text>
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          <name>Date</name>
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              <text>2018</text>
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          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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              <text>Ministerio de Cultura y Promoción Artesanal</text>
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              <text>Equatorial Guinea</text>
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      <name>Museum Felipe Osa Angüé</name>
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