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                <text>3. Alternative Conservation and Heritage Practices in Equatorial Guinea. The Case of the Museum Felipe Osá Angüé</text>
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                <text>Museum Felipe Osá Angüé</text>
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                <text>This section of the exhibit offers a counterpoint to the imperial and colonizing practices in the museum by approaching the case of the Museum Felipe Osa Angüé. This museum illustrates alternative possibilities of narrating the histories of Equatorial Guinean people while taking distance of institutional practices of exhibiting and civilization discourses, all inherited by the current political regime.   </text>
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                <text>Alexis Hernando Cubas</text>
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                <text>Price Lab for the Digital Humanities, University of Pennsylvania</text>
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                <text>August, 2024</text>
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                <text>Equatorial Guinea</text>
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            <text>Digital News</text>
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              <text>AhoraEG News: "Culture and tourism acquires the ethnological collection of Felipe Osa Angüé"&#13;
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              <text>The Aftermath of the Museum Felipe Osa Angüé</text>
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              <text>The fate of Felipe’s collection after his death in 2017 marked a significant shift from his original vision. The collection was transferred to the Ministry of Culture, Tourism, and Artisan Promotion of Equatorial Guinea, with plans to integrate it into a national ethnographic museum in Malabo. While this move was intended to preserve the collection and ensure its continued accessibility, it also meant that the objects would be subjected to the institutional practices of conventional museology. This transformation raises critical questions about the future of the collection and the potential loss of the dynamic, context-rich narrative that Felipe had cultivated.&#13;
&#13;
The terms "ethnographic" and "ethnologic" themselves are problematic within the context of Felipe’s vision. These terms, rooted in colonial frameworks, often imply a distancing and objectification of cultural artifacts, stripping them of their original context and reducing them to mere examples of "primitive" or "exotic" cultures. This is precisely what Felipe sought to avoid in his museum, where the objects were not just relics of a bygone era but were imbued with life and meaning through his storytelling and engagement with visitors. The transfer of the collection to a national ethnographic museum thus risks undermining the very principles that Felipe's museum stood for, transforming a space of cultural activation and resistance into one of institutional conformity and potentially decontextualized exhibition. This transition underscores the need for a continued conversation about how these objects will be conserved, presented, and interpreted, to ensure that Felipe’s legacy is not lost in the process.</text>
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              <text>https://ahoraeg.com/cultura/2022/08/02/cultura-y-turismo-adquiere-la-coleccion-etnologica-de-felipe-osa-angue/&#13;
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              <text>AHORAEG</text>
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